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Salman Ali/The South End Chardonnay Jones, left, performing at the 13th Annual American Composers Concert. Brishen Miller Assistant Features Editor The powerful voice of George Shirley echoed through the Schaver Music Recital Hall yesterday. One of America’s most versatile tenors, Shirley headlined the 13th Annual African American Composer’s Concert. The acoustics of the intimate recital hall made Shirley’s voice sound even fuller for the packed house. Acoustics aside, the opera singer did not need a microphone in the small venue. The annual free concert, held every Martin Luther King Jr. Day, has become a tradition for many Detroiters. The music of the day was composed solely by black portable banner stands composers and performed by WSU students and professionals alike. Though the audience was impressed with Shirley’s commanding yet soothing voice, by no means did it overshadow the student acts to come. The theme for the songs of the day was personal expression. Each act showed some insight into the performer’s persona. Joseph “Pops” Radcliffe III spoke about a song he preformed called “Minstrel Song” by Margaret Bonds with the words from a Langston Hughes poem of the same name. “I think Langston Hughes wrote that poem just for me, I relate to it so much,” Radcliffe said. “And I feel so many people in the world relate so much to it … in a lot of us there’s war, pain, hurt, hate, but we smile and fake it.

Salman Ali/The South End Chardonnay Jones, left, performing at the 13th Annual American Composers Concert. Brishen Miller Assistant Features Editor The powerful voice of George Shirley echoed through the Schaver Music Recital Hall yesterday. One of America’s most versatile tenors, Shirley headlined the 13th Annual African American Composer’s Concert. The acoustics of the intimate recital hall made Shirley’s voice sound even fuller for the packed house. Acoustics aside, the opera singer did not need a microphone in the small venue. The annual free concert, held every Martin Luther King Jr. Day, has become a tradition for many Detroiters. The music of the day was composed solely by black composers and performed by WSU students and professionals alike. Though the audience kabbalah books was impressed with Shirley’s commanding yet soothing voice, by no means did it overshadow the student acts to come. The theme for the songs of the day was personal expression. Each act showed some insight into the performer’s persona. Joseph “Pops” Radcliffe III spoke about a song he preformed called “Minstrel Song” by Margaret Bonds with the words from a Langston Hughes poem of the same name. “I think Langston Hughes wrote that poem just for me, I relate to it so much,” Radcliffe said. “And I feel so many people in the world relate so much to it … in a lot of us there’s war, pain, hurt, hate, but we smile and fake it.

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Somedays it's hard to be here. We moved across country 3 years ago and I don't know if I'll ever get over being homesick. We live in the heart of Texas, and it is everything I am not. This is the beach in my hometown. I love this credit report free place and have always wanted to move back. Reality is, there are no jobs, it's expensive to live there and it's just not our time to go home. Maybe someday. It's right on Lake Michigan. You can walk from one end of downtown to the other in 15 minutes. It's filled with all these cute little shops, ready for the summer tourists. The snow in the wintertime is beautiful, despite what everyone is saying there right now! We went back for vacation in November. It's snowed, it was picture perfect. In the back of my mind, I dream that I'll be a famous illustrator and could live anywhere I want. In the meantime, how do I deal with the longing for home, for family, for the quiet, still world that the town inhabits? I'm not sure, lots of phone calls back home. Lots of journaling. Lots of counting my blessings and be thankful for our home here. Today I was sketching little things I remember about my great grandmother's house. We lived right next door to her. She would bring us over blueberry muffins in the mornings. I love how she would sprinkle sugar on them. Yes, they were made from scratch. One thanksgiving she made 13 homemade pies.

Cavite City's central market is much like that in any other provincial town in the Philippines. There are fixed stalls and roving vendors, and heaps and mounds of fresh, picturesque produce. Because Cavite City (about an hour and half south of Manila) sits on the coast, its market is heavy on products from the sea, including shellfish, dried and smoked fish, fermented fish products like patis (Philippine fish sauce) and denon 1910 baggoong (Philippine bplaa raa ), and sea salt. And this market - also like any other, anywhere - has a cast of characters. These feisty ladies are selling small catches - just a pan full of crab. And these men are, well, hanging out. We've seen it all before, at markets all over southeast Asia. But wait - not this. At the market's entrance gathers a whispering crowd of men and women under a pandawan (canopy). They're not exchanging juicy gossip. They're engaging in bulungan (bidding in whispers), a traditional Philippine market practice that, as we understand it, is slowly dying out. Cavite City doesn't hold the patent on bulungan; it's practiced elsewhere in the archipelago. But it's no longer as common as it once was. ' Alimag! Alimag !' ('Blue crab! Blue crab!') A muscular, heavily tattoed gent in a white mesh basketball uniform stands over a plastic crate of shellfish.

4GW (fourth generation wafare) is the term used by military thinkers to describe conflict at the end of the 20th century. In general, 4GW is an extremely effective method of warfare that the US and its allies will find very difficult to defeat (a slow burn, rather than complete eradication, may be the best possible outcome). I have outlined the basics of 4GW warfare below to enhance your understanding of the term. Definition 4GW can be defined as a method of warfare that uses the following to achieve a moral victory: Undermines enemy strengths (this may seem obvious, but most of modern warfare has involved direct attacks on enemy strengths -- find the enemy army and destroy it). Exploits enemy weaknesses. Uses asymmetric operations (weapons and techniques that differ substantially from opponents). Drivers The rise of 4GW is both a product and a driver of the following: The loss of the nation-state's monopoly on violence. The rise of cultural, ethnic, and religious conflict. Globalization (via mesothelioma fact technological integration). Tactics 4GW is fought on the tactical level via: Rear area operations -- 4GW warriors do not confront a nation-state's military but rather it society. Psychological operations -- terror. Ad-hoc innovation -- use of the enemy's strengths against itself. Generations of Warfare The generational development of warfare can be outlined as: First generation -- wars of Napoleon, conscription and firearms (the decline of mercenaries).

Cavite City's central market is much like that in any other provincial town in the Philippines. There are fixed stalls and roving vendors, and heaps and mounds of fresh, picturesque produce. Because Cavite City (about an hour and half south of Manila) sits on the coast, its market is heavy on products from the sea, including shellfish, dried and smoked fish, fermented fish products like patis (Philippine fish sauce) and baggoong (Philippine bplaa raa ), and sea salt. And this market - also like any other, anywhere - has a cast of characters. These feisty ladies are selling small catches - just a pan full of crab. And these men are, well, hanging out. We've seen it all before, at markets all over southeast Asia. But wait - not this. At the market's entrance gathers a whispering crowd of men and women under a pandawan (canopy). They're not exchanging juicy gossip. They're engaging in bulungan (bidding in whispers), the spy store a traditional Philippine market practice that, as we understand it, is slowly dying out. Cavite City doesn't hold the patent on bulungan; it's practiced elsewhere in the archipelago. But it's no longer as common as it once was. ' Alimag! Alimag !' ('Blue crab! Blue crab!') A muscular, heavily tattoed gent in a white mesh basketball uniform stands over a plastic crate of shellfish.

Somedays it's hard to be here. We moved across country 3 years ago and I don't know if I'll ever get over being homesick. We live in the heart of Texas, and it is everything I am not. This is the beach in my hometown. I love this place and have always wanted to move back. Reality is, there are no jobs, it's expensive to live there and it's just not our time to go home. Maybe someday. It's right on Lake Michigan. You can walk from one end of downtown to the other in 15 minutes. It's filled with all these cute little shops, ready for the summer tourists. The snow in the wintertime is beautiful, despite what everyone is saying there right now! We went back for vacation in November. It's snowed, it was picture perfect. In the back of my mind, I dream that I'll be a famous illustrator and could live anywhere I want. In the meantime, how do I deal with the longing for home, for family, for the quiet, still world that the town inhabits? I'm not sure, lots of phone calls back home. Lots of journaling. Lots of counting my blessings and be thankful for our home here. Today I was sketching little things I remember about my great grandmother's house. We lived right next door to her. spyware scan She would bring us over blueberry muffins in the mornings. I love how she would sprinkle sugar on them. Yes, they were made from scratch. One thanksgiving she made 13 homemade pies.

Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the muscle and fitness model unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for business debt consolidation everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The compare files Guardian. Cohen is firmly of the Left.